Today, it’s time to go to a concert (well, two, actually) and add Collective Soul and Big Head Todd & The Monsters. Live. In concert!
But first, we need to rant a little bit. Thanks to the new rate structure from the Copyright Royalty Board, internet radio stations, including Radio Free David, are at risk of going off the air. Because we are licensed and legal, we pay our royalty obligations, as is right and proper. However, the new rates are simply out of this world, make no sense, and will shut us down. As in… off the air. Right along with most every other legal internet radio station. This means that you will not hear us, you will not hear our music and you will not hear the music by the artists you love. Period. Gone. Silence.
In a nutshell, the new rate structure will require us to pay more in royalties than any station can hope to make in income. For stations such as Radio Free David that do not run commercials, this means that we simply cannot afford to bring you the music that you enjoy today… because we can’t afford the royalties. If that wasn’t enough, they made these rates retroactive. To January. January 2006.
The Copyright Royalty Board specifically addressed small webcasters like Radio Free David in their ruling, and decided that we do not matter.
How did this happen? An organization called Sound Exchange recommended these new rates, and declared them to be “fair” and “what the market will bear”. In fact, they presented analysis of how these rates are good for everyone. The Copyright Royalty Board accepted this argument and rates.
Who is SoundExchange? Why, oddly, they are organization who the royalties are paid to, and who are supposed to distribute the money. Isn’t that convenient? And, get this, SoundExchange was established by the RIAA. If you look at their page, they purport to be all about the artist, but when it comes right down to it, they are all about the big four (or five) record labels. They do not look out for the artists, really, at all.
What will happen now? If sanity does not prevail, we will either be forced off the air (along with most, if not all, internet radio stations) or we will end up running music that is not RIAA controlled (and a staggering amount of music is RIAA controlled. In fact, most mainstream artists are, so you will not hear their music any longer on the internet).
What can you do about it? PLENTY. And we need your help. Please visit savenetradio.org; there is complete instructions there. We all need your help!
The bottom line: if sanity does not prevail, you will lose your listening choices, not just on Radio Free David, but across the internet. Let’s save our music!
And now… speaking of the music… (remember, if you do not help these great artists and songs will no longer be available to you…)
We really like the Georgia quintet, Collective Soul. Their songs flow nicely, have a good hook and are darn easy to listen to: we’ve run some of their songs for a long while now here on Radio Free David. But, they also did something we adore: set up at a concert, hit the “record” button, and then at the end of the concert, hit the “stop” button (much like we mentioned with Blue October previously). Collective Soul released two concerts in this manner–the night our concert happened was November 15, 2005, in Columbus, Ohio…
From their album Instant Live: Promowest/LC Pavilion - Columbus, OH, 11/15/05, we’re adding the cuts Shine and Why, Pt. 2. We’re also replacing our studio versions of The World I Know (and this song exemplifies why we go to concerts…), December and Gel (another song that works well live) with live cuts. We think you’ll really enjoy the experience!
Big Head Todd & The Monsters is making their first appearance in our playlist with their live album Live Monsters. These guys are a good live band, and built their appeal via constant touring; but, for some reason, their albums just didn’t have the appeal of their shows. Luckily, we have a solution for that, and we’re running some of their concerts. Recorded at several places along the way during their 1995-1998 tour schedule, Live Monsters showcases several of their best songs, and naturally, we’re running those.
We’ve added Bittersweet (how could we not?), Boom Boom (composed by John Lee Hooker; yes–John Lee Hooker), If You Can’t Slow Down, and their hit Resignation Superman.
As always,
Enjoy!
david
(Please don’t forget to save our music!)